The 63rd BFI London Film Festival runs from the 2-13 October 2019, with a loads of short films to see from around the world, we’ve picked a selection of 25 short films to choose from. You can also see our selection of 42 feature films and 4 events to see. Check the available films on the BFI London Film Festival 2019 website.
Friday 11 October 2019 | 20:45 | ODEON Tottenham Court Road, Screen 3 Sunday 13 October 2019 | 18:10 | BFI Southbank, NFT2
Online culture is now all-consuming, and constantly changing through fast-moving technology, both welcome yet terrifying in terms of what comes next. The films here illustrate those cultures brilliantly, whether on a personal level of daily life or the bigger political picture. Total running time 100 min
Film 2: Algo-Rhythm
A hip hop musical, shot in Dakar, using Senegalese musicians and artists, which deconstructs comprehensive threats to human rights posed by the rise of the algorithmic management of daily life via social media and online platforms. Dir Manu Luksch. Austria-UK-Senegal 2019. 14min
Film 5: Pompeii
Tam gets on the first tube home, plugs himself into his phone and begins reliving his night out via social media stories. Dir Harry Lighton, Marco Alessi, Matthew Jacobs Morgan. UK 2019. 9min
Film 8: Zombies
Tribal motifs and digital culture collide exploring the stupefying effects of mobile technology. Dir Baloji. Belgium-Democratic Republic of the Congo 2019. 15min
What Remains Sunday 06 October 2019 | 15:20 | BFI Southbank, NFT3
A series of artists’ short films that explore the effects of human and capitalist destruction of the natural world. Total running time 92 min
Film 2: That Which is to Come is Just a Promise
A single long shot explores the possibility of Tuvalu’s submergence under water, a transformation that scientists have predicted will happen in the next 30 years. Dir Flatform. Italy-Netherlands-New Zealand 2019. 22min
Close and Far Friday 04 October 2019 | 18:15 | Prince Charles Cinema, Downstairs Screen Saturday 05 October 2019 | 12:40 | Vue West End, Screen 6
The parent-child relationship is one of the most complex, evoking a whole spectrum of emotions. This collection of shorts explores life situations that can shape these relationships permanently, difficult choices that parents can be sometimes faced with and journeys in the search for connection and understanding. Total running time 108 min.
Film 2: Blackwood
A look at the challenges of living in a small Australian town, portrayed through the lens of a novelist and her teenage son. Dir Kalu Oji. Australia 2018. 12min
Film 7: Dawn in the Dark
When a young girl’s father is taken to hospital, a familial bond between her and her uncle is tested. Dir Runyararo Mapfumo. UK 2019. 16min
Film 9: Mahalia Melts in the Rain
In preparation for a ballet photoshoot, Mahalia and her mother visit a hairdresser. Dir Emilie Mannering, Carmine Pierre-Dufour. Canada 2018. 11min
My Life, Whose Rules?
Sunday 06 October 2019 | 15:15 | ODEON Tottenham Court Road, Screen 3
Monday 07 October 2019 | 12:50 | Vue West End, Screen 4
Whether it’s about remaining steadfast and true or redefining oneself in a shifting world, these short films tell of personal journeys of survival, identity and agency. Total running time 111 min
Film 1: Appreciation
After a personal tragedy, a Pentecostal preacher is lifted by her congregation in this vivid treat for the eyes and ears. Dir Tomisin Adepeju. UK 2019. 15min
Meet the doppelgängers, the outcasts and the weirdos. From encounters in the unlikeliest of places in the city you sleep in, to the brightest of days in places you’ll never visit in a supernatural world. Total running time 106 min
Film 5: White Girl
Beth is seemingly lost. As she wanders around seeking help from strangers, things take a darker turn. Dir Nadia Latif. UK 2019. 13min
Film 6: Suicide By Sunlight
Valentina, a day-walking black vampire protected from the sun by her melanin, is forced to restrain her bloodlust to regain custody of her estranged daughters. Dir Nikyatu. USA 2018. 17min
Joy to the World… Wednesday 02 October 2019 | 20:40 | Vue West End, Screen 7 Friday 04 October 2019 | 15:30 | Vue West End, Screen 5
Joyful films! Triumphant films! Funny films! Total running time 96min
Film 3: Love the Sinner
11-year-old Joanna tries to understand grief through her mother’s reaction to Princess Diana’s death.
Dir Jennifer Sheridan. UK 2018. 10min
Film 10: Serious Tingz
The face of masculinity as portrayed by young men who grow up in the inner city, where the iconic ‘screwface’ is more than just an expression, it’s a matter of life and death. Dir Abdou Cissé. UK 2018. 3min
This eclectic, exciting and colourful selection of animated short films include themes of friendship and home. This year, alongside films from the UK we present new work from Disney, Dreamworks and Studio Ponoc. Total running time 61 min
Film 2: Exchange Student
A girl from Earth attends alien school. This is “Exchange Student” by Natalie Nourigat – a tale about an Earthling girl who feels like an outsider at a school for aliens. More Short Circuit shorts are coming exclusively to #DisneyPlus in Spring 2020. Dir Natalie Nourigat. USA 2019. 2min
This programme brings together works that represent the breadth and complexity of resistance across the African Diaspora, considering spirituality, music and arts alongside protest as key interventions for freedom. Total running time 94 min.
Film 1: Sojourner
Honouring the Black feminist activists of the past and present, Cauleen Smith re-imagines Noah Purifoy’s Desert Museum in California as a utopian community. Dir Cauleen Smith. USA 2018. 23min
Film 2: Fi Dem II
An investigation of Blackness, labour, diaspora and family heritage through archive, glitch, strobe and sound. A commitment to the Windrush generation. Dir Zinzi Minott. UK 2019. 9min
Film 3: Primeiro Ato
Theatre students André and Gabriel drum up support for resistance against the dismantling of culture policies in Brazil. Dir Matheus Parizi. Brazil 2019. 19min
Film 4: Pattaki
Under the light of the moon, a community affected by water scarcity marvel at the power of the Orichȧ water deity Yemayȧ. Dir Everlane Moraes. Cuba 2018. 21min
Film 5: Oh My Homeland
Great soprano Leontyne Price attempts to maintain her composure on stage as she receives adoration from her audience at her 1985 farewell opera. Dir Stephanie Barber. USA 2019. 4min
Film 6: Pelourinho, They Don’t Really Care About Us
Referencing a 1927 letter from WEB Du Bois to the Brazilian Embassy, colourful footage illustrates an exploration of anti-blackness in Brazil. Dir Akosua Adoma Owusu. Ghana 2019. 9min
Film 7: Black Bus Stop
A performative reclamation of a site of resistance through dance for African American students. Dir Kevin Jerome Everson, Claudrena N. Harold. USA 2019. 9min
This programme is an international cinematic adventure roving across the boundaries that define present-day society, including geopolitics, technology, neo-colonialism and how the human future is only conceivable in relation to the past. Total running time 89 min
Film 5: Hand in Hand (Sunu Jappo)
Exploration of the Chinese-Senegalese relationship, featuring the Museum of Black Civilisations, recently built by China and conceived as a powerful symbol of decolonialisation. Dir Ming Wong. Senegal-China-Germany 2019. 15min
…In an Age of Consent Friday 04 October 2019 | 20:40 | ODEON Tottenham Court Road, Screen 3 Sunday 06 October 2019 | 12:20 |Cine Lumiere
The definition of consent is to give permission. Intimacy is defined by a consensual physicality evident in romantic love, sexual activity, a beautiful friendship and random intimate moments with passing strangers. That line of consent is interrogated in the films here, holding up a magnifying glass to every intimate moment from a misplaced hand to the power dynamics of a sexual situation to the re-contextualisation of a past narrative. Total running time 110min.
Film 2: Spring Fever
A refreshingly different and fun sex education class in the Netherlands. This is an anti-shame class. Dir Anna Snowball. UK-Netherlands 2019. 9min
Films that dispel visual certainties to present new optical perceptions.Total running time 115 min
Film 12: A Love
An engagement with love and loss, presence and absence that become ritualised in need for recognition. Dir Anne-Marie Copestake. UK 2019. 16min
London Calling Thursday 10 October 2019 | 18:00 | BFI Southbank, NFT1 Saturday 12 October 2019 | 15:00 | ODEON Tottenham Court Road, Screen 3
A selection of new shorts from some of the capital’s most exciting upcoming filmmakers, funded by BFI NETWORK and delivered by Film London. Total running time 84 min
Film 4: Losing Pace
A young black man from a working-class background is on a trajectory towards success when an encounter with the police jeopardises everything. Dir Naomi Soneye-Thomas. UK 2019. 8min
Film 6: Something in The Closet
A queer teenager struggles with her sexuality, as desires manifest their way from the depths of her eerie closet into reality. Dir Nosa Eke. UK 2019. 14min
It’s arrived! The 63rd BFI London Film Festival runs from the 2-13 October 2019, with a bumper selection of films to choose from around the world, including: Brazil, Cameroon, Congo, France, Haiti, Italy, Ivory Coast, Nigeria, Portugal, Senegal, South Africa, Sudan, UK, USA, Vietnam, and Zambia.
Here is our selection of 42 feature films and 4 events. Highlights include Mati Diop‘s Atlantics, Burning Cane with Wendell Pierce, Alfre Woodard in Clemency, the long awaited, Harriet, starring Cynthia Erivo. Michael Jordan will be in attendance giving a screen talk, and starring in Just Mercy, and Lupita Nyong’o stars in Little Monsters. We’re also looking forward to UK films, Rocks and White Riot.
Atlantics(Atlantique) Friday 04 October 2019 | 18:00 | Vue West End, Screen 7 Saturday 05 October 2019 | 20:40 | Cine Lumiere Monday 07 October 2019 | 12:10 | BFI Southbank, NFT1
Ada and Souleiman are in love. But Souleiman is tired of labouring without pay on the gleaming towers of Dakar. He sets out across the sea with friends, leaving Ada to face impending marriage to another man. But as the women gather in the bar where the men used to drink, it seems that something has returned after all.
Dir Mati Diop; With Mama Sané, Amadou Mbow, Ibrahima Traoré France-Senegal-Belgium, 2019
A young woman named Teresa travels home for the funeral of her grandmother, who was the matriarch of Bacurau, a village that happily embraces its misfits, mixed-heritage outsiders, whores, hippies and queers. On arrival, Teresa discovers that the dusty little town has been wiped clean off the map by the middle-class elite from the north, who are busy ingratiating themselves, selling their country and its people (quite literally, it turns out) to rich European and American interests.
Burning Cane Friday 11 October 2019 | 20:50 | BFI Southbank, NFT3 Saturday 12 October 2019 | 16:30 | Vue West End, Screen 6
Helen stalks through her farm with a cleaver in one hand, cigarette in the other, running through the various treatments she’s tried for her dog’s mange. Her recently unemployed son Daniel pushes beer and whiskey on his own child. And the local preacher (Wendell Pierce) remains in denial about the malice forming an increasingly powerful undertow to his sermons. As alcohol and melancholy suffuse this Louisiana family and their pastor, a woozy portrait emerges – one of characters living in lows they cannot transcend.
Dir-Scr Phillip Youmans; With Wendell Pierce, Karen Kaia Livers, Dominique McClellan USA 2019
Burning Night(Breve Miragem de Sol) Thursday 03 October 2019 | 18:20 | BFI Southbank, NFT3 Saturday 05 October 2019 | 20:30 | Vue West End, Screen 4
Down on his luck and recently divorced, Paulo (Boliveira) has begun driving a cab around Rio, hoping he’ll make enough to send his ex money to support their ten-year-old son. He mostly works nights, so in addition to his encounters with a colourful variety of customers, colleagues, cops and others, he must cope with loneliness, fatigue and new faces in his life.
Dir Eryk Rocha; With Fabricio Boliveira, Bárbara Colen, Cadu N Jay Brazil-France-Argentina 2019
Clemency Wednesday 02 October 2019 | 18:00 | Vue West End, Screen 7 Friday 04 October 2019 | 15:00 | ODEON Tottenham Court Road, Screen 3 Friday 11 October 2019 | 20:30 | ICA Cinema, Screen 1
Clemency opens with experienced prison warden Bernadine Williams (Alfre Woodard) overseeing a lethal injection that goes agonisingly wrong. Botching ‘the procedure’ heightens scrutiny over her next execution, of convicted cop killer Anthony Woods (Aldis Hodge) who maintains his innocence. Woodard delivers a stunning performance as methodical authority figure Bernadine, whose necessary professionalism has made her emotionally unavailable to husband Jonathan (The Wire’s Wendell Pierce). No amount of after-work drinking will make the nightmares stop.
Dir-Scr Chinonye Chukwu; With Alfre Woodard, Aldis Hodge, Richard Schiff, Wendell Pierce USA, 2018
Desrances Thursday 03 October 2019 | 18:10 | Vue West End, Screen 4 Saturday 05 October 2019 | 12:20 | Vue West End, Screen 4
After the brutal massacre of his family in Haiti, Francis Desrances resettles in the Ivory Coast. Years later Francis, his wife Aissey and 12-year-old daughter Haila await the birth of a son, who to Francis’ excitement and Haila’s irritation is immediately regarded as the worthy heir to the Desrances name. As the birth looms, civil war erupts in Abidjan and amidst the melee Aissey goes missing. Haila courageously steps forward in ways that challenge her father’s notion of what constitutes a rightful heir.
Dir-Scr Apolline Traoré; With Jimmy Jean-Louis, Naomi Nemlin, Evelyne Ily Burkina Faso, 2019
Give Me Liberty Friday 11 October 2019 | 18:00 | Vue West End, Screen 7 Sunday 13 October 2019 | 19:45 | BFI Southbank, NFT3
American-Russian Vic drives a van transporting disabled passengers around Milwaukee. He needs this job and today he’s running dangerously late. Tracy, an African-American woman with ALS, is not impressed. But there’s also Vic’s eccentric Russian grandfather’s neighbours, who all need a lift to a funeral, plus a livewire dude called Dima, who claims to be the deceased’s nephew and is coming along for the ride. From these chaotic beginnings, the film zooms through a day and a night, creating a turbulent tapestry of working-class lives that touches on issues of race, disability and poverty in America’s most segregated city.
Dir Kirill Mikhanovsky; With Chris Galust, Lauren ‘Lolo’ Spencer, Maksim Stoyanov USA, 2019
Born into slavery, Harriet Tubman nonetheless escaped the South of the US and travelled alone over 100 miles on foot to the first free state, Philadelphia. But finding it impossible to enjoy her freedom while others were enslaved, she returned as a fugitive over 13 times to dangerous Confederate states, helping more than 70 people escape in the years before the Civil War.
Dir Kasi Lemmons; With Cynthia Erivo, Janelle Monáe, Joe Alwyn, Clarke Peters, Leslie Odom Jr USA, 2019
Just Mercy Saturday 05 October 2019 | 14:45 | Vue West End, Screen 7 Wednesday 09 October 2019 | 14:15 | ODEON Luxe Leicester Square
Fresh from Harvard Law School, fledgling attorney Bryan Stevenson (Jordan) defies the wishes of his parents, who are concerned about the notoriously racist South, when he ventures to Alabama to open a law practice to support death row inmates routinely denied proper legal counsel. Meeting with a variety of prisoners, Stevenson soon encounters Walter “Johnny D” McMillan (Foxx), a black man accused of the brutal murder of a white teenage girl, an allegation he vehemently denies, with numerous factors clearly supporting innocence. Despite Johnny D’s scepticism that he will be afforded due diligence by a corrupt system, Stevenson hires local advocate Eva Ansley (Brie Larson), and mounts an urgent case for a retrial, uncovering a chain of injustices and crucial oversights as they search for the truth.
Dir Destin Daniel Cretton; With Michael B. Jordan, Jamie Foxx, Brie Larson, Rafe Spall, O’Shea Jackson Jr USA, 2019
First Feature Competition
The Last Black Man in San Francisco Friday 04 October 2019 | 18:00 | Curzon Mayfair Cinema, Screen 1 Saturday 05 October 2019 | 15:15 | ODEON Tottenham Court Road, Screen 3 Friday 11 October 2019 | 20:30 | BFI Southbank, NFT2
Jimmie (Jimmie Fails) dreams of reclaiming the beautiful late 19th century home his grandfather built in the heart of the city, before harder times and changing demographics forced his family out. He and best friend Mont (Jonathan Majors) scheme to make this happen while Jimmie annoys the sitting tenants with guerrilla gardening on the beloved Fillmore house. A skateboarder and dreamy, suit-wearing playwright, the pair are at odds with the tough guys around the neighbourhood, and spend their time working to deliver Jimmie’s dream while living with Mont’s grandfather (Danny Glover).
Dir Joe Talbot; With Jimmie Fails, Jonathan Majors, Rob Morgan USA, 2019
Little Monsters Saturday 05 October 2019 | 18:00 | BFI Southbank, NFT1 Monday 07 October 2019 | 15:30 | Vue West End, Screen 5 Tuesday 08 October 2019 | 18:15 | ICA Cinema, Screen 1
Dave is at a crossroads in his life. Recently dumped and with his aspirations of heavy metal stardom fading away, the eternal man-child is forced to crash on his sister’s sofa. However, things look up when he meets the effervescent Miss Caroline, his 5-year-old nephew’s favourite teacher. Desperate to spend time with the object of his affection, Dave signs up to chaperone a school trip to the local petting zoo. But when the neighbouring military base accidentally unleashes a hoard of zombies upon the unsuspecting farmyard, Dave, Miss Caroline and their miniature posse must join forces to keep the flesh-eating army at bay.
Dir-Scr Abe Forsythe; With Lupita Nyong’o, Josh Gad, Alexander England Australia-USA-UK, 2019
The Lost Okoroshi Thursday 03 October 2019 | 20:40 | Vue West End, Screen 4 Saturday 05 October 2019 | 15:30 | ICA Cinema, Screen 1
Fed up with the soulless city and how its dwellers have lost touch with their ancestral traditions, Raymond Obinwa yearns for reconnection between man, spirit and traditional society. He awakens one morning to find he has transformed into a traditional Igbo masquerade Okoroshi. In his new form, Raymond/Okoroshi sets off on a quest to find a new home in the city. Along the way, he encounters brassy sex-worker Doris, street hustler Willy-Willy – who is convinced of Okoroshi’s earning potential – and witnesses the idle chit-chat of conspicuous pseudo-spiritual authority the IPSSHRR (The Igbo People’s Secret Society for Heritage, Restoration and Reclamation).
Dir-Prod Abba Makama; With Seun Ajayi, Judith Audu, Tope Tedela Nigeria, 2019
Luce Sunday 06 October 2019 | 17:30 | Vue West End, Screen 7 Sunday 06 October 2019 | 18:00 | Vue West End, Screen 5 Monday 07 October 2019 | 20:30 | ODEON Tottenham Court Road, Screen 3
Luce (Kelvin Harrison Jr) is a former refugee, a child soldier from a war-torn African country. Seemingly recovered from his childhood trauma, he now lives in his adoptive country as the son of white liberal middle-class parents (Tim Roth and Naomi Watts). His high school’s brightest hope – a fiercely intelligent debater and star athlete – Luce seems destined to achieve great things. But after he chooses Franz Fanon as an assignment to deliver a paper in the voice of a historical figure, Luce’s English teacher (Octavia Spencer) becomes suspicious that something darker may lurk beneath his highly-controlled exterior.
Dir Julius Onah; With Naomi Watts, Octavia Spencer, Kelvin Harrison Jr USA, 2019
The Man Who Cuts Tattoos Tuesday 08 October 2019 | 18:30 | BFI Southbank, NFT2 Wednesday 09 October 2019 | 18:40 | Vue West End, Screen 6
To mark the beginning of adulthood and prepare for marriage, a young girl in an Edo village must undergo a painful rite of passage through scarification. The agony she endures for a loving union finds her questioning the process. Sometime in the future, unencumbered by the traditions that exist in present day Lagos, Michelle questions her tumultuous relationship with boyfriend America. Having recently found out she’s pregnant, with America pushing her towards an abortion and with her job on the line, Michelle also considers the sacrifices that are made for love.
Dir-Scr Michael Omonua; With Valerie Dish, Omowunmi Dada, Duke Elvis Nigeria, 2019
Miles Davis: Birth of the Cool Thursday 10 October 2019 | 20:30 | Curzon Soho Cinema, Screen 1 Saturday 12 October 2019 | 12:30 | Prince Charles Cinema, Downstairs Screen
This detailed, textured chronology offers something for all, from jazz newbies to viewers who’ve long been drowning in the ocean of genre-expanding music that poured from the musician’s magically muted trumpet. Miles Davis: Birth of the Cool swings through five decades of sonic innovation: from hard bop to heavenly orchestrations, the ambient acoustics of Kind of Blue to the funky fusion of Bitches Brew. It’s a treasure trove of electrifying archive and authoritative interviewees (including several collaborators and ex-lovers), which smartly deploys extracts from Miles’s searing autobiography. The film also explores his impact on black cultural identity and doesn’t flinch from discussing the violent, drug-fuelled ravages of a troubled and troubling icon.
Dir Stanley Nelson USA-UK, 2019
Muna Moto Saturday 12 October 2019 | 15:10 | BFI Southbank, NFT3 Sunday 13 October 2019 | 20:30 | BFI Southbank, Studio
Ngando (David Endéné) and Ndomé (Arlette Din Belle) are deeply in love. Ngando wishes to marry Ndomé. But he is poor and cannot afford a dowry, making him unable to fulfil the tradition. And according to the village tradition, she must take a husband. After a meeting, the villagers decide that Ndomé should marry Ngando’s childless uncle, Mbongo (Philippe Abia), who already has three wives. In despair, Ngando decides to something unthinkable on the day of the wedding.
Dir-Scr Jean-Pierre Dikongué-Pipa; With Philippe Abia, Arlette Din Bell, David Endéné Cameroon, 1975
My Friend Fela Friday 04 October 2019 | 20:45 | BFI Southbank, NFT2 Saturday 05 October 2019 | 12:45 | BFI Southbank, NFT2 Sunday 06 October 2019 | 14:45 | Vue West End, Screen 4
Fela Kuti inspired a generation of Africans and African Americans with his own unique style of music, known as Afrobeat. A combination of Afropop, jazz, highlife, juju and funk, it was infused with social and political criticism of the military dictatorship in Nigeria. With an expertly assembled mix of interviews and archive footage, director Joel Zito Araújo presents a complex portrait of an enigmatic and often troubled man.
The Living and the Dead Ensemble, an artist collective from Haiti, France and the UK, bring an embodied and contemporary perspective to the history of the only uprising of enslaved peoples that led to the creation of a state. Shot in Haiti and France, through complex conversations and performances, Ouvertures considers ideas around language and translation as well as major themes of colonialism, power, cultural memory, generational trauma, knowledge and resistance.
Dir Louis Henderson, Olivier Marboeuf with The Living and The Dead Ensemble France-Haiti-UK, 2019
Premature Saturday 05 October 2019 | 21:00 | Vue West End, Screen 6 Monday 07 October 2019 | 15:45 | Vue West End, Screen 4
Temperatures are rising in Harlem as Ayanna (Zora Howard) prepares to depart for a college writing programme. Then Isaiah appears on the scene. Echoing John Singleton’s Poetic Justice, Ayanna’s arresting poetry charts the rocky terrain of first love. If the couple find themselves tethered to the reality of urban life, at incisive moments they manage to soar within the love-scape of their own making.
Dir Rashaad Ernesto Green; With Zora Howard, Joshua Boone USA, 2019
Real Sunday 06 October 2019 | 18:15 | Vue West End, Screen 6 Tuesday 08 October 2019 | 15:45 | ODEON Tottenham Court Road, Screen 3
Young couple Jamie (Pippa Bennett-Warner) and Kyle (Omoshaybi) struggle to manage personal hardship at the start of their blossoming relationship. Jamie leads the charge with quiet tenacity as a mother determined to create a stable environment for her young son. In tandem, Kyle puts the need to battle his own demons on hold and is willing to beg, steal or borrow to impress his new love.
Dir-Prod-Scr Aki Omoshaybi; With Aki Omoshaybi, Pippa Bennett-Warner, Karen Bryson UK, 2019
Everyone’s an amateur archivist these days, but few match the pre-internet dedication of public access TV producer Marion Stokes. Philadelphia’s visionary hoarder recorded 70,000 VHS tapes filled with news broadcasts, from 1979’s Iranian hostage crisis to the Sandy Hook school shooting in 2012. Recorder: The Marion Stokes Project shows how this librarian, computer collector and Star Trek-loving civil rights activist quickly perceived the ways 24-hour cable television was rewiring viewers’ minds.
Olushola Joy Omotoso, ‘Rocks’ to her mates, is a London teenager with ordinary teenage cares; hanging with her crew and helping to look after her little brother keeps her grounded. But on returning from an ordinary day at secondary school, she discovers her mother isn’t home. There’s just a little cash and an apology note. Fearing that she and her brother will be separated if the authorities find out, Rocks decides not to tell anyone and instead copes with her brother alone.
Dir Sarah Gavron; With Bukky Bakray, Kosar Ali, D’angelou Osei Kissiedu, Shaneigha-Monik Greyson, Ruby Stokes UK, 2019
Say Amen, Somebody Monday 07 October 2019 | 18:15 | BFI Southbank, NFT2 Wednesday 09 October 2019 | 20:30 | BFI Southbank, Studio
In this masterful and beautifully restored observational music documentary, George T Nierenberg captures show-stopping musical performances interwoven with fascinating intimate, behind-the-scenes personal moments. With unrivalled access, the film pays tribute to the lives and careers of the movement’s luminaries. These include ‘Mother’ Willie Mae Ford Smith, gospel’s diva and earth mother – a skilful singer and preacher who championed equality for women – and ‘Professor’ Thomas A Dorsey, a blues player who turned to the church and also became a prolific composer, songbook publisher and concert organiser. Spotlighting the work of other artists such as Sallie Martin, the Barrett Sisters and the O’Neal Twins, this extraordinarily infectious and deeply emotional concert film is a truly uplifting experience.
Dir George T Nierenberg USA, 1982
Staff Only(El viatge de la Marta) Friday 04 October 2019 | 18:10 | Cine Lumiere Sunday 06 October 2019 | 17:45 | Vue West End, Screen 4
Is it possible to avoid being problematic when you’re a middle-class white tourist prone to sunburn and entitlement? It’s what Spanish teenager Marta (a quietly intense Elena Andrada) wonders as she eye-rolls her way through a painful Christmas holiday in Senegal, staying with her estranged dad and annoying little brother in a resort full of white sunburnt pensioners. Turning her nose up at her dad’s timetable of culturally-appropriative tourism, she rejects family bonding time, choosing instead to make some local alliances, first with the hotel maid Aissatou and then a romance with aspiring filmmaker Khouma.
Dir Neus Ballús; With Elena Andrada, Sergi López, Diomaye A.Ngom Spain-France, 2019
Synchronic Sunday 06 October 2019 | 20:50 | Empire Haymarket, Screen 1 Monday 07 October 2019 | 15:30 | Prince Charles Cinema, Downstairs Screen Tuesday 08 October 2019 | 12:50 | Vue West End, Screen 4
Anthony Mackie and Jamie Dornan star as a pair of paramedics traversing the nocturnal streets of New Orleans. More than just colleagues, the duo enjoy a long-standing friendship, supporting each other through the difficulties they face in their increasingly complicated personal lives. But when they encounter a series of bizarre deaths which all appear to lead back to a new designer drug called Synchronic, the two men find their bond put to the test as their worlds are unexpectedly thrown into chaos.
Dir Aaron Moorhead, Justin Benson; With Anthony Mackie, Jamie Dornan, Katie Aselton USA, 2019
Talking About Trees Tuesday 08 October 2019 | 20:45 | ICA Cinema, Screen 1 Wednesday 09 October 2019 | 15:40 | BFI Southbank, NFT2
Suliman and three further members of the ‘Sudanese Film Club’ have decided to revive an old cinema. They are united not only by their love of cinema and their passionate desire to restore old film stock and draw attention to Sudanese film history once more, but also by the fact that they have all enjoyed a film education in exile. Tirelessly, they try to get the cinema’s owners on their side and make the place operational again, but repeatedly find themselves up against considerable resistance. In the meantime, they sit together and talk about the past – including their experiences of persecution and even torture as oppositional artists. They also read out old letters written while in exile and dream of a Sudan in which art and intellectual thought can be free. ‘We are smarter than them, but not as strong,’ is how they unanimously summarise their situation.
The Valley Sunday 06 October 2019 | 20:45 | Vue West End, Screen 6 Monday 07 October 2019 | 13:15 | BFI Southbank, NFT2
Sometimes help comes from the most unexpected places. The valleys of the French Alps experienced enforced displacement during Second World War, so perhaps it’s no surprise that many residents feel moved to help refugees whose homes have also become battlefields. In a climate of mistrust and rising prejudice, it’s refreshing to witness everyday people get savvy about the laws of these lands, especially when political engagement is fickle. As one man quips, ‘Increase the retirement age by six months and you’ll have three million people protesting, but nothing for this’.
In Pedro Costa’s 2014 drama Horse Money, Vitalina Varela made a memorable appearance, effectively playing herself. In this follow-up – less a sequel than a deeper pursuit of its themes and motifs – Varela steps into the foreground as a woman who, after years waiting for a plane ticket, arrives in Portugal three days after her husband’s funeral. A mesmerising contemplation of race, grief and exile…
Dir Pedro Costa; With Vitalina Varela, Manuel Tavares Almeida, Francisco Brito Portugal 2019
Walking with Shadows Wednesday 09 October 2019 | 20:45 | Curzon Soho Cinema, Screen 1 Thursday 10 October 2019 | 20:40 | Vue West End, Screen 4
Ebele Njoko (Ozzy Agu) has been running all his life. A search for acceptance and love from his family has led him to recreate himself as Adrian – respected father, husband and brother. In coming to terms with his sexuality, Adrian is forced to choose between a compromised existence and the life that he would like to lead. When his mask is cruelly stripped away, Adrian’s world rapidly unravels.
Waves Saturday 12 October 2019 | 21:15 | ODEON Luxe Leicester Square Sunday 13 October 2019 | 20:30 | Vue West End, Screen 6
Popular high-school athlete Tyler (an astonishing Kelvin Harrison Jr. who also shines in Luce) lives a seemingly privileged life. An all-star wrestler with a loving girlfriend and a supportive, affluent family, he spends his days training, and his nights partying. But beneath the fragile veneer of perfection, cracks are beginning to show. Under constant scrutiny from his overbearing father, ignoring the reality of a potentially serious shoulder injury and reeling from an unexpected development in his romantic relationship, Tyler’s world looks set to implode. As the pressures around him steadily mount, a series of events are put in motion which threaten not only Tyler’s happiness, but also the lives of the people he loves the most.
Dir-Scr Trey Edward Shults; With Kelvin Harrison Jr, Lucas Hedges, Taylor Russell USA 2019
White Riot Saturday 05 October 2019 | 20:50 | Curzon Soho Cinema, Screen 1 Sunday 06 October 2019 | 18:15 | Prince Charles Cinema, Downstairs Screen
Rock Against Racism (RAR) was formed in 1976, prompted by ‘music’s biggest colonialist’ Eric Clapton and his support of racist MP Enoch Powell. White Riot blends fresh interviews with queasy archive footage to recreate a hostile environment of anti-immigrant hysteria and National Front marches. As neo-Nazis recruited the nation’s youth, RAR’s multicultural punk and reggae gigs provided rallying points for resistance. As founder Red Saunders explains: ‘We peeled away the Union Jack to reveal the swastika’. The campaign grew from Hoxton fanzine roots to 1978’s huge antifascist carnival in Victoria Park, featuring X-Ray Spex, Steel Pulse and of course The Clash, whose rock star charisma and gale-force conviction took RAR’s message to the masses.
Dir Rubika Shah; With Red Saunders, Roger Huddle, Kate Webb UK 2019
Zombi Child Sunday 06 October 2019 | 18:20 | Empire Haymarket, Screen 1 Monday 07 October 2019 | 20:40 | Cine Lumiere Friday 11 October 2019 | 15:30 | Prince Charles Cinema, Downstairs Screen
Haiti, 1962. A man is resurrected from the dead. Forced to work on a sugar cane plantation, Clairvius Narcisse is trapped in perpetual night. Fast forward to contemporary Paris. Haitian teen Mélissa is the new girl at a prestigious school, where cerebral lectures on liberalism are de rigeur. Mélissa makes her first friend in dreamer Fanny when they discover a shared passion for Stephen King. Fanny invites Mélissa to join a secret ‘literary sorority’. But while presentations on Rihanna keep their story firmly 21st-century, something more ancient is at play, with Mélissa harbouring an incendiary family secret.
Dir-Scr Bertrand Bonello; With Louise Labèque, Wislanda Louimat, Katiana Milfort France 2019
Other films and events of interest:
Cold Case Hammarskjöld Friday 04 October 2019 | 18:00 | Curzon Soho Cinema, Screen 1 Saturday 05 October 2019 | 17:50 | BFI Southbank, NFT2
Mads Brügger’s investigation, attempts to solve the mysterious death of Dag Hammarskjöld, who served as the second Secretary General of the United Nations. In 1961, while attempting to negotiate a ceasefire in the Congo, his plane crashed in Zambia, killing all on board. The reason for the crash is a mystery. A number of conspiracy theories exist, particularly as Hammarskjöld was outspoken in his opposition to colonialism and appeared on the black list of many powerful mining companies.
Dir-Scr Mads Brügger; With Göran Björkdahl, Mads Brügger Denmark-Norway-Sweden-Belgium, 2019
County Lines Tuesday 08 October 2019 | 18:30 | Vue West End, Screen 7 Wednesday 09 October 2019 | 20:45 | BFI Southbank, NFT2 Sunday 13 October 2019 | 20:30 | Vue West End, Screen 7
The term ‘county lines’ describes the practice of using children to traffic drugs from cities to coastal towns and rural areas, an underreported fact of modern British life. Inspired by the stories he heard while mentoring kids at an East London pupil referral unit, writer-director Henry Blake’s powerful feature debut boasts a compelling central performance by Conrad Khan as 14-year-old Tyler, whose mum Toni (Ashley Madekwe) is struggling to provide for him and his sister. Excluded from school, Tyler becomes a train-bound narcotics courier for local criminal Simon.
Dir-Scr Henry Blake; With Conrad Khan, Ashley Madekwe, Harris Dickinson UK, 2019
Divine Love(Divino amor) Wednesday 09 October 2019 | 20:45 | Empire Haymarket, Screen 1 Thursday 10 October 2019 | 18:10 | Vue West End, Screen 4 Friday 11 October 2019 | 15:30 | BFI Southbank, NFT2
Brazil, 2027. Joana is a civil servant working with clients seeking a divorce. A devout believer in the institution of marriage, she does what she can to persuade quarrelling couples to give it another go, turning to the unorthodox methods of her religious group Divino Amor. But things are not plain sailing at home. Try as they may, Joana and her husband Danilo remain childless, despite their staunch efforts to conceive. Becoming increasingly reliant on her local 24-hour drive-through priest service, Joana is fast giving up hope, until one day a miracle happens.
Dir Gabriel Mascaro; With Dia Praes, Julio Machado Brazil-Uruguay-Chile-Denmark-Norway-Sweden, 2019
Knives Out Tuesday 08 October 2019 | 19:30 | ODEON Luxe Leicester Square Tuesday 08 October 2019 | 20:30 | Embankment Garden Cinema Wednesday 09 October 2019 | 11:30 | Embankment Garden Cinema Friday 11 October 2019 | 11:00 | ODEON Luxe Leicester Square Sunday 13 October 2019 | 14:45 | Empire Haymarket, Screen 1
Murder mystery novelist Harlan Thrombey (Christopher Plummer) is a veritable one-man crime-fiction industry and his adult children – and their children – have been living off him for years. When he turns up dead, the apparent victim of a murder, it seems that no-one has a motive for killing the golden goose. At least, that’s what the detectives assigned to the case think. But Benoit Blanc (Daniel Craig) – the debonair ‘Kentucky-fried’ private investigator mysteriously hired by an anonymous source – has other ideas. With a superb cast at their arch best (Jamie Lee Curtis, Toni Collette, Chris Evans, Michael Shannon, Katherine Langford, Ana de Armas and Don Johnson, to name a few), this is impeccably written and designed, full of unexpected twists and turns from start to finish.
Dir-Scr Rian Johnson; With Daniel Craig, Chris Evans, Ana de Armas, Jamie Lee Curtis, Christopher Plummer, Lakeith Stanfield USA, 2019
Moffie Thursday 10 October 2019 | 20:40 | Vue West End, Screen 7 Thursday 10 October 2019 | 21:10 | Vue West End, Screen 5 Friday 11 October 2019 | 12:30 | Vue West End, Screen 7 Friday 11 October 2019 | 13:00 | Vue West End, Screen 5
1981, South Africa. Nicholas (Kai Luke Brummer) has long known he is different, that there is something shameful and unacceptable in him that must stay hidden, denied even. But South Africa’s minority government are embroiled in conflict at the Angolian border and all white young men over 16 must serve two years of compulsory military service to defend the Apartheid regime and its culture of toxic racist machismo. The ‘black danger’ is the real and present threat; what is wrong with Nicholas and others like him can be rooted out, treated and cured like a cancer. But just when fear pushes Nicholas to accept unspeakable horrors in the hopes of staying invisible, a tender relationship with another recruit becomes as dangerous for them both as any enemy fire.
Dir Oliver Hermanus; With Kai Luke Brummer, Ryan de Villiers, Matthew Vey South Africa-UK, 2019
Monsoon Saturday 05 October 2019 | 18:15 | Empire Haymarket, Screen 1 Sunday 06 October 2019 | 15:45 | Prince Charles Cinema, Downstairs Screen Monday 07 October 2019 | 15:00 | Vue West End, Screen 7
Londoner Kit (Henry Golding, Crazy Rich Asians) has come to Vietnam to scatter his mother’s ashes and to connect with the place he departed from as a child. But everything has changed and he finds little to anchor him. That is, until he meets Lewis, a black American living in Saigon whose father served in the war that still underscores many of Kit’s interactions. Monsoon builds an atmosphere that will likely resonate with anyone who has felt that unique sense of loneliness at being somewhere they once belonged.
Dir-Scr Hong Khaou; With Henry Golding, Parker Sawyers UK, 2018
On a Magical Night(Chambre 212) Wednesday 09 October 2019 | 21:00 | Cine Lumiere Friday 11 October 2019 | 16:00 | Vue West End Cinema, Screen 9 Saturday 12 October 2019 | 15:45 | Vue West End, Screen 7
After yet another bitter row, Maria (Chiara Mastroianni) finds herself staying in a hotel overlooking the apartment she shares with husband Richard (Benjamin Biolay). As she debates what to do next, the ghosts of past lovers begin to fill the room, forcing Maria to confront her romantic triumphs and failures. Shot through with the director’s customary eroticism and wit, this gorgeous and often funny film returns to similar territory as break out films Dans Paris (LFF 2006) and Les Chansons D’Amour. The same vivid evocation of Paris is found here, along with a healthy preoccupation with beautiful people and their love affairs. But a refreshing romantic pessimism feels new, lending this apparently small-scale drama an unsentimental and perceptive insight and wisdom.
Dir-Scr Christophe Honoré; With Chiara Mastroianni, Vincent Lacoste, Camille Cottin, Anthony Fulrad France-Luxembourg-Belgium, 2019
Returning to the US as Europe’s ‘It’ girl after her breakout success – including Godard’s Breathless – Seberg (Stewart) finds herself a target of J Edgar Hoover’s FBI when she becomes romantically involved with Black Panther Hakim Jamal (Anthony Mackie) and flaunts her disregard for America’s misogynistic and racist institutions. Stewart dazzles as the starlet who was all-but-destroyed by an archly conservative FBI – then a nefarious organisation with virtually unchecked power – and dismayed as she unwittingly took others down with her.
Dir Benedict Andrews; With Kristen Stewart, Jack O’Connell, Anthony Mackie, Colm Meaney, Zazie Beetz USA, 2019
The Street Friday 11 October 2019 | 18:15 | Prince Charles Cinema, Downstairs Screen Saturday 12 October 2019 | 12:30 | ODEON Tottenham Court Road, Screen 3
Some of the businesses on Hoxton Street have been around for over a hundred years. But recent times have witnessed an explosion of coffee shops, art spaces and property development. Sound familiar? The locals feel the exclusion of being priced out, and wonder who’s to blame, while Cameron’s EU referendum looms in the background. Xenophobia is tangible; and with a new working space offering colourful ball-pit baths, the disconnect between the new creatives and the local community seems irreconcilable. From 82-year-old Colleen, to the couple who met as teens working in the pie shop they now run, everyone is feeling a storm coming.
Heralding the start of BFI Musicals!, a major UK-wide celebration of the genre, this 50th anniversary screening of Bob Fosse’s directorial debut is a high-energy paean to love, the 1960s and a showcase of his remarkable talent. Fosse’s distinctive choreography, appetite for irony and bold editing ensure that his films are among the most vital in the musical canon, with ‘Big Spender’ and ‘Rich Man’s Frug’ – the inspiration for Beyoncé’s ‘Get Me Bodied’ video – among the stand-out numbers. MacLaine replaced Broadway star Gwen Verdon, but she lights up the screen with Charity’s boundless joie de vivre. She’s brilliantly matched by Chita Rivera and the underrated Paula Kelly as her co-workers at the Fandango Ballroom. When they perform the breathless ‘There’s Gotta Be Something Better Than This’ it’s hard not to think, no, there really isn’t. We will also be showing the rarely seen ten-minute alternative ending after the film.
Dir Bob Fosse; With Shirley MacLaine, John McMartin, Ricardo Montalban, Paula Kelly USA, 1969
With a career trajectory that parallels frequent creative collaborator Ryan Coogler, Michael B. Jordan’s rise has been meteoric. From a stunning, acclaimed performance in Coogler’s Sundance-winning Fruitvale Station in 2013, he went on to global megastar status with an intense, soulful turn as titular pugilist Adonis Creed in the Creed series of films and, as Erik Killmonger in Black Panther, he became the ‘baddie’ that everyone loathed to hate. Pre-Fruitvale, Jordan impressed in television with roles in acclaimed shows The Wire when he was still in his teens and, just a few years later, Friday Night Lights. Moving into producing, he started his own company Outlier Society, which has a first look deal with Warner Brothers. A powerful advocate for inclusion in the industry, Outlier was one of the first in 2018 to publicly adopt the Inclusion Rider – a contractual stipulation which requires the hiring of a diverse cast and crew on projects. Just Mercy, directed by Destin Daniel Cretton, is one of the first projects the company have produced with the Rider in place. The film stars Jordan in a lead role which garnered rave reviews on its recent World Premiere at Toronto International Film Festival.
A late addition to the festival, Kasi Lemmons will be talking about her trailblazing career and the making of Harriet, portrayed by Cynthia Erivo.
Starting out as a child actor, the St Louis, Missouri-born Lemmons subsequently appeared in such US television staples as Murder, She Wrote and ER, while also scoring big screen supporting roles in Spike Lee’s collegiate musical School Daze (1988), the cult Nicolas Cage black comedy Vampire’s Kiss (1988), multiple Academy Award winner The Silence of the Lambs (1991) and horror classic Candyman (1992). Having enrolled in the film program at New York’s renowned New School for Social Research, she made an unforgettable directorial debut with the hugely acclaimed Eve’s Bayou: a lyrical, multi-layered and avowedly feminist family saga set in early ’60s Louisiana. Hailed as the best film of 1997 by Roger Ebert, Lemmons’ landmark first outing behind the camera was recently selected by America’s Library of Congress for preservation in the National Film Registry. She reunited with Eve’s Bayou star/producer Samuel L. Jackson for twisted mystery The Caveman’s Valentine (2001); won both the African-American Film Critics and NAACP Image Awards Outstanding Director prizes for second feature Talk to Me (2007, starring the equally garlanded Don Cheadle and Chiwetel Ejiofor); and most recently directed Angela Bassett to an NAACP Image Award Outstanding Actress prize with 2013’s Langston Hughes adaptation Black Nativity.
Inspired by the ‘Strategies of Refusal’ Experimenta 2019 programme, this year’s Experimenta Debate invites artists working with the moving image to explore the resistive strategies they employ in their engagement with visual culture. This year’s presenters include Judah Attille, Tanoa Sasraku-Ansah, Adam Farah (free.yard), and Experimenta artists Zinzi Minott and Louis Henderson with a contribution from The Living and the Dead Ensemble. With the lineage of artists moving image still largely stemming from a singular history of avant-garde and experimental cinema, this debate offers an alternative perspective on what innovation and radicality means for artists whose work foregrounds Black experience. What alternative lineages of experimental film practice are artists drawing from? To what extent are artists of marginalised identities able to privilege form over content in their engagement with the audio-visual? Beyond representation, what strategies are artists employing in their practices to address socio-political issues in their work? These provocations follow up on last year’s Debate in which Rabz Lansiquot, Taylor Le Melle & Experimenta 2018 artists Emma Wolukau-Wanambwa, Ayo Akingbade and Morgan Quaintance discussed their positions on representation in visual culture, considering the extent to which the visibility of subjects on screen correlates to those same subjects’ agency and sovereignty in praxis.
LFF for Free
Little White Lies Movie Quiz
Prizes to be won, glory to be claimed…
Tickets for this event are FREE but should be booked in advance Tickets available from Tue 24 Sep. Max team size 4. Max 4 tickets per person.
Wednesday 09 October 2019 | 19:00 | Blue Room BFI Southbank
From heroic heroines, famous final lines and award-winning directors, to Hollywood’s golden age, memorable movie flops and the film world’s biggest franchises – come and test your film knowledge. Prizes to be won, glory to be claimed…
Find out more about all of the films on the BFI London Film Festival Website, and remember, there are often standby tickets available for the Sold Out films – if you really want to see it, take a chance and head to the cinema early.
‘The story of the token black man (Arnold Johnson) on the board of a Madison Avenue advertising agency, who is inadvertently elected as chairman and begins taking the company in a radical new direction. “I’m not going to rock the boat. Rocking the boat is a drag. What you do is sink the boat!” he proclaims…’
“When Korede’s dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what’s expected of her: bleach, rubber gloves, nerves of steel and a strong stomach. This’ll be the third boyfriend Ayoola’s dispatched in, quote, self-defence and the third mess that her lethal little sibling has left Korede to clear away. She should probably go to the police for the good of the menfolk of Nigeria, but she loves her sister and, as they say, family always comes first. Until, that is, Ayoola starts dating the doctor where Korede works as a nurse. Korede’s long been in love with him, and isn’t prepared to see him wind up with a knife in his back: but to save one would mean sacrificing the other…”
The BFI is the place to be this weekend! Four black British feature films, short films, and a symposium!
The inaugural SOUL Fest is a two-day celebration of black British talent in film, allowing audiences the opportunity to see a diverse representation of black Britain.
Full details of the festival can be found online: SOUL Fest .
Friday 30 August 2019
18:10 Farming + Q&A with director Adewale Akinnuoye-Agbaje
Six-week-old Enitan is left in the care of a white working-class family in Tilbury, Essex, but his surrogate mother (Kate Beckinsale) makes for a complex foster parent. Unsure of his place in the world, teenage Enitan (Damson Idris) falls in with a skinhead gang. Based on his own life story, Adewale Akinnuoye-Agbaje’s Farming charts the extraordinary journey of a young fostered Nigerian boy in 1980s England.
UK 2018. Dir Adewale Akinnuoye-Agbaje. Cast: Kate Beckinsale, Gugu Mbatha-Raw, Damson Idris, Jaime Winstone. 107min
The unique SOUL Fest Symposium brings together a group of leading thinkers from Britain’s diverse communities to consider the role and responsibility of filmmakers with regards to the representation of diversity on screen. The symposium will also feature a presentation of some of the best short films by emerging BAME talent, exploring an eclectic range of tales touching on the Black British experience.
15:30 Nine Nights + Q&A with director Veronica McKenzie and actors Malcolm Atobrah and Mary Nyambura
Marcie and Mickey Haines are 16-year-old athletic twins. They’re inseparable, leaving their mother, Leonore, feeling excluded. On the day of an important race for Marcie, Michael is hit by a car and killed. The next morning she wakes to find the house full of mourners, talking about Michael in the past tense.
UK 2018. Dir Veronica McKenzie. Cast: Mary Nyambura, Malcolm Atobrah, Jo Martin, Elizabeth Brace. 99min
Directed by Shola Amoo, The Last Tree is the semi-autobiographical story of Femi (played by young newcomer Tai Golding), a British boy of Nigerian heritage who, after being fostered in rural Lincolnshire, moves to inner-city London to live with his birth mother. In his teens, Femi (Sam Adewunmi) struggles with the culture and values of his new environment. He must decide which path to adulthood he wants to take and find out what it means to be a young black man in London during the early 00s.
UK 2019. Dir Shola Amoo. Cast: Sam Adewunmi, Gbemisola Ikumelo, Denise Black, Tai Golding, Nicholas Pinnock. 99min
Award-winning writer-director Julius Amedume’s neo-noir psychological thriller is based on a play by Graham Farrow. Robert McQueen’s typical day takes a turn for the worse when he’s ambushed by three masked men who accuse him of sleeping with their wives. Robert pleads his innocence, but reveals something that will change his captors’ lives forever – is it enough to save his own life, though?
UK-USA 2019. Dir Julius Amedume. Cast: Jimmy Jean-Louis, Jack Coleman, Kathleen McClellan. 85min
Film: Odyssey Film Club: Black Mother (Jamaican Independence Day Special)
Harris Academy South Norwood, Fri 9 August 2019, 7:45pm.
‘Part film, part baptism, Black Mother takes us on a spiritual exploration through Jamaica. Soaking up its bustling metropolises and tranquil countryside, director Khalik Allah introduces us to a succession of vividly rendered souls who call this island home.
Black Mother channels rebellion and reverence into a deeply personal ode informed by Jamaica’s turbulent history but existing in the urgent present.’
Film: Devil’s Pie: D’Angelo Screening & TalkSouthbank Centre, Thu 15 August 2019, 6:45pm.
‘An exclusive UK premiere about the disappearance – and return – of D’Angelo.
D’Angelo was a Grammy-winning singer with two platinum-selling albums and legions of adoring fans. Then, at the height of his success, the soul singer vanished from the limelight. After 12 years, he returned.’
After the screening, there is a Q&A with director Carine Bijlsma, chaired by Women on Docs’ Eloise King.
Film: Belly, with an intro by season co-programmer Tega Okiti
BFI Southbank, Sat 10 August 2019, 6:20pm.
‘Acclaimed music video director Hype Williams’ feature debut stars legendary rappers Nas and DMX as friends and gangsters ‘Buns’ and Sincere, who navigate the dangerous underworld on the path towards spiritual awakening. Twenty-one years on, Belly exists as a genuine artefact of hip-hop culture at the dawn of the millennium, and it still has a visual influence on black cinema today.’